Makani Young thought she'd left her dark past behind her in Hawaii, settling in with her grandmother in landlocked Nebraska. She's found new friends and has even started to fall for mysterious outsider Ollie Larsson. But her past isn't far behind.
Then, one by one, the students of Osborne Hugh begin to die in a series of gruesome murders, each with increasingly grotesque flair. As the terror grows closer and her feelings for Ollie intensify, Makani is forced to confront her own dark secrets.
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| Reading the Riot Act |
There's someone inside your house by Stephanie Perkins
289 Pages
289 Pages
We all remember Stephanie Perkins of Anna and the French Kiss. It feels as though it has been a million years since we last heard from her but finally, just in time for Halloween, she released a new horror novel for us to enjoy.
Now, I am not a horror fan. I have an overactive imagination and deep, deep paranoia that really just does not suit well to fans of the horror genre. Thankfully, this book serves as almost a precursor to the horror genre. I mean there are murders, and gore like any self=respecting horror book. But this is entry level horror for the wimps out there like me.
We follow Makani, who in horror tradition has just moved to town. There is all this secrecy in regards to her past. Why did she move suddenly? Why won't she talk about what happened there? Then, enter the murders. Students are slaughtered left right and centre. Perkins has set up a hell mystery.
The murderer seems to be coming only for Makani, they are after her for some reason. At this point, I thought I had the book figured. I was expecting a Johnny Depp, The Secret Garden sort of plot line. TWIST MAKANI IS THE MURDERER! But that didn't happen.
We get side-tracked by this love story. And I'm into it, the guy is hot and I'm rooting for my Hawaiian babe to get a bit of action. Then, out of nowhere, they figure out who the murderer is, and I can't even tell you - because he's such a small character. Here is where everything begins to fall apart.
It's not so much a shock, as a....who? Who the hell is that guy? Oh, that's right he was in the peripheral at the beginning and seems to have no actual motive. The murders and Makani's shady past have no connection whatsoever. The plot begins to reek of broken promises.
Let me make this clear...there is nothing wrong with subverting expectation. But this book didn't seem to be doing it for any reason. It read more like Perkins realised the murderer was easy to guess - so bullsh**ted. I can see her now, furiously typing on a keyboard yelling 'FUCK IT!' at the top of her lungs.
Girl. I feel you - but there is such a thing as reader expectations.
Follow the genre tropes or subvert it, but don't do both.
Now, I am not a horror fan. I have an overactive imagination and deep, deep paranoia that really just does not suit well to fans of the horror genre. Thankfully, this book serves as almost a precursor to the horror genre. I mean there are murders, and gore like any self=respecting horror book. But this is entry level horror for the wimps out there like me.
We follow Makani, who in horror tradition has just moved to town. There is all this secrecy in regards to her past. Why did she move suddenly? Why won't she talk about what happened there? Then, enter the murders. Students are slaughtered left right and centre. Perkins has set up a hell mystery.
The murderer seems to be coming only for Makani, they are after her for some reason. At this point, I thought I had the book figured. I was expecting a Johnny Depp, The Secret Garden sort of plot line. TWIST MAKANI IS THE MURDERER! But that didn't happen.
We get side-tracked by this love story. And I'm into it, the guy is hot and I'm rooting for my Hawaiian babe to get a bit of action. Then, out of nowhere, they figure out who the murderer is, and I can't even tell you - because he's such a small character. Here is where everything begins to fall apart.
It's not so much a shock, as a....who? Who the hell is that guy? Oh, that's right he was in the peripheral at the beginning and seems to have no actual motive. The murders and Makani's shady past have no connection whatsoever. The plot begins to reek of broken promises.
Let me make this clear...there is nothing wrong with subverting expectation. But this book didn't seem to be doing it for any reason. It read more like Perkins realised the murderer was easy to guess - so bullsh**ted. I can see her now, furiously typing on a keyboard yelling 'FUCK IT!' at the top of her lungs.
Girl. I feel you - but there is such a thing as reader expectations.
Follow the genre tropes or subvert it, but don't do both.
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